Walk into a theatre conference today and you’ll see something that wasn’t common five or ten years ago: LED screens for stage performances.
At the same time, digital projection backdrops haven’t gone anywhere. In fact, projectors are more powerful, more affordable, and more flexible than ever.
So the question many theatre directors, tech directors, and dance producers are asking is simple:
Do we stick with projection, or move toward LED walls?
This conversation between projection designer Mitch Stark and theatre tech director Josh Hornung is all about understanding the difference — not from a marketing angle, but from a practical stage perspective.
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The biggest distinction between projection and LED screens in theatre comes down to how light is created.
Projection uses an external light source (a projector) to throw light onto a surface like a screen or cyclorama. What you see is light being reflected back to your eyes.
An LED wall, on the other hand, is a surface made of panels that produce their own light. There’s no reflection — the screen itself is the light source.
That one difference changes a lot.
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For years, one of the biggest challenges in stage projection was brightness. Designers worked hard to make sure the projection image didn’t disappear under stage lighting.
With LED screens, that problem largely disappears. LED walls can be extremely bright — sometimes too bright.
In some cases, the issue shifts from:
“How do we make the image visible?”
to
“How do we keep the image from overpowering the performers?”
This can be especially important in dance and ballet, where the human body and movement need to remain the focus.
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Projection surfaces tend to be smooth, continuous planes like a cyclorama or screen.
LED walls are built from multiple panels. While the technology keeps improving, some installations may still show seams or panel lines. That’s something to consider when designing for close viewing distances or minimalist scenic looks.
Each system has its own aesthetic character — and that becomes an artistic choice, not just a technical one.
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Modern LED technology is efficient. It produces a lot of light with less heat and can run for long periods without needing bulb replacements.
At the same time, laser and LED-based projectors have also changed the projection world. Many now offer tens of thousands of hours of use, reducing the old maintenance headache of replacing expensive projector lamps.
In both cases, newer technology means more reliability and fewer mid-show surprises.
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Let’s be honest: a full cyclorama-sized LED wall is still out of reach for many schools and smaller theatres.
But here’s the interesting part: as LED has entered the market, projectors have become more affordable and more capable.
You can now find:
Brighter projectors
Ultra short throw projectors
Longer-lasting light sources
at price points that would have been unthinkable a decade ago.
That means projection design for theatre is more accessible than ever, even if LED isn’t in the budget yet.
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The exciting shift happening right now is this:
We’re moving from a world where scenic visuals were limited by what was technically possible, to a world where directors can choose the look that best serves the story.
LED screens and digital projection backdrops are not enemies. They are tools with different strengths:
LED offers intense brightness and self-contained light
Projection offers flexibility, large surfaces, and often lower cost
The best choice depends on:
The space
The budget
The performers
The visual style you want
What used to be out of reach for high schools and community theatres is becoming possible. As technology improves and costs come down, students and directors can create visual worlds on stage that were once reserved for large venues.
That’s the real takeaway.
These technologies aren’t just about screens and projectors. They’re about opening up new ways to tell stories.
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In the video above, Mitch Stark and Josh Hornung dive deep into LED screens vs projection in theatre, covering real-world examples, technical differences, and what this shift means for stage storytelling.
If you’re exploring:
LED walls in theatre
Digital backdrops for stage
Projection design for theatre and dance
this is a great place to start.
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If after watching the video or reading this, you still have a few questions, we'd love to hear from you!
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