I used to hand letter everything. Actually, there wasn’t another way I knew.
As a kid, computers were really just coming onto the scene in my elementary classes, so whenever I wanted to make a poster or drawing with words, it came right out of my head and through my hand. That didn’t always mean it was very good. But it was fresh, and had a certain life to it. Then, of course, we got a computer in the home and it was all typing from then on.
It wasn’t until recently, nearly 14 years into being a professional designer, that I’ve rediscovered my love of drawing type by hand. Here you can see an example I’m working on for my next theatre poster (for a stage version of Charlotte’s Web). Back to pencils and paper. And yes, now I do have fonts to blend in or look at for inspiration. Which is great! But it’s nice to see the freshness and ‘less-than-polished’ look of hand-drawn type finding its way back into my work.
Plus, it’s fun!
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JUST finished a new projection design for Alice in Wonderland!
This show has been one of the most rewarding to design new art and animations for—so much possibility lies in each scene, to imagine and reimagine how to make this story come alive on stage for a new generation.
In art school, my teacher told us to draw with fat, chunky materials.
That’s right. No more pencils.
Grab a chunk of charcoal or a crayon or maybe even draw with your eraser on a smudgy mess.